{"id":192,"date":"2019-01-07T23:54:57","date_gmt":"2019-01-07T22:54:57","guid":{"rendered":"https:\/\/www.shakin-all-over.de\/?page_id=192"},"modified":"2025-08-20T00:04:25","modified_gmt":"2025-08-19T23:04:25","slug":"international","status":"publish","type":"page","link":"https:\/\/www.shakin-all-over.de\/?page_id=192","title":{"rendered":"International (at the top in almost alphabetical order)"},"content":{"rendered":"

I consider THE MONKS to be a German band, so see there… K-O).<\/span> <\/em><\/strong><\/p>\n

 <\/p>\n

\"\"
A BAND OF ANGELS<\/figcaption><\/figure>\n
\"\"
The Accent<\/figcaption><\/figure>\n
\"\"
The Action<\/figcaption><\/figure>\n
\"\"
The Addicts<\/figcaption><\/figure>\n
\"\"
The Alan Bown<\/figcaption><\/figure>\n
\"\"
The Alan Bown<\/figcaption><\/figure>\n
\"\"
Alan & the Diamonds<\/figcaption><\/figure>\n
\"\"
The Animals<\/figcaption><\/figure>\n
\"\"
Ray Anton & the Peppermint Men<\/figcaption><\/figure>\n
\"\"
The Applejacks<\/figcaption><\/figure>\n

 <\/p>\n

\"\"
Deke Arlon & The Offbeats<\/figcaption><\/figure>\n
\"\"
Vance Arnold and The Avengers (Joe Cocker)<\/figcaption><\/figure>\n
\"\"
Art Movement<\/figcaption><\/figure>\n
\"\"
Art Movement<\/figcaption><\/figure>\n
\"\"
The Artwoods<\/figcaption><\/figure>\n
\"\"
The Artwoods<\/figcaption><\/figure>\n
\"\"
The Astronauts, USA<\/figcaption><\/figure>\n
\"\"
The Atoms, Poland<\/figcaption><\/figure>\n
\"\"
Brian Auger & Julie Driscoll<\/figcaption><\/figure>\n
\"\"
The Peter B<\/figcaption><\/figure>\n
\"\"
The Bad Boys<\/figcaption><\/figure>\n
\"\"
Badfinger<\/figcaption><\/figure>\n
\"\"
The Baroques, USA<\/figcaption><\/figure>\n
\"\"
The Beat-Chics<\/figcaption><\/figure>\n
\"\"
The Beat Merchants<\/figcaption><\/figure>\n
\"\"
The Beau Jives, USA<\/figcaption><\/figure>\n
\"\"
Becky and the Montclairs<\/figcaption><\/figure>\n
\"\"
Mike Berry<\/figcaption><\/figure>\n
\"\"
Mike Berry & The Outlaws<\/figcaption><\/figure>\n
\"\"
The Berwick Players<\/figcaption><\/figure>\n
\"\"
Cliff Bennett and the Rebel Rousers<\/figcaption><\/figure>\n
\"\"
The Big Four<\/figcaption><\/figure>\n
\"\"
Big Tom and The Mainliners<\/figcaption><\/figure>\n
\"\"
Billy & The Kids<\/figcaption><\/figure>\n
\"\"
Bettie<\/figcaption><\/figure>\n
\"\"
The Blackjacks<\/figcaption><\/figure>\n
\"\"
The Black Jacks<\/figcaption><\/figure>\n
\"\"
The Blueboys. USA<\/figcaption><\/figure>\n
\"\"
The Blues Project, USA<\/figcaption><\/figure>\n
\"\"
The Blue Things, USA<\/figcaption><\/figure>\n
\"\"
The Graham Bond Organisation<\/figcaption><\/figure>\n
\"\"
The Bonnevilles. USA<\/figcaption><\/figure>\n
\"\"
Isabella Bond<\/figcaption><\/figure>\n
\"\"
Isabella Bond<\/figcaption><\/figure>\n
\"\"
The Bostons (pre-Dave Dee & Co)<\/figcaption><\/figure>\n
\"\"
The Boston Dexters<\/figcaption><\/figure>\n
\"\"
David Bowie<\/figcaption><\/figure>\n
\"\"
The Box Tops<\/figcaption><\/figure>\n
\"\"
The Breadmakers, Australia<\/figcaption><\/figure>\n
\"\"
The British Modbeats, Canada<\/figcaption><\/figure>\n
\"\"
The Breakaways<\/figcaption><\/figure>\n
\"\"
The Brokers<\/figcaption><\/figure>\n
\"\"
The Brook Brothers<\/figcaption><\/figure>\n
\"\"
Elkie Brooks<\/figcaption><\/figure>\n
\"\"
Elkie Brooks<\/figcaption><\/figure>\n
\"\"
The Brothers Grimm<\/figcaption><\/figure>\n
\"\"
Arthur Brown<\/figcaption><\/figure>\n
\"\"
Joe Brown with The Breakaways<\/figcaption><\/figure>\n
\"\"
The Savoy Brown Blues Band<\/figcaption><\/figure>\n
\"\"
The Buckinghams, USA<\/figcaption><\/figure>\n
\"\"
Buffalo Springfield, USA<\/figcaption><\/figure>\n
\"\"
The Bystanders<\/figcaption><\/figure>\n
\"\"
The Candymen, USA<\/figcaption><\/figure>\n
\"\"
The Cedars, Lebanon<\/figcaption><\/figure>\n
\"\"
The Cedars<\/figcaption><\/figure>\n
\"\"
The Bruins<\/figcaption><\/figure>\n
\"\"
The Cannons<\/figcaption><\/figure>\n
\"\"
Chad and Jeremy<\/figcaption><\/figure>\n
\"\"
The Classmates<\/figcaption><\/figure>\n
\"\"
The Cheatin‘ Hearts<\/figcaption><\/figure>\n
\"\"
The Classics, Liverpool<\/figcaption><\/figure>\n
\"\"
The Clayton Squares<\/figcaption><\/figure>\n
\"The
The Clayton Squares<\/figcaption><\/figure>\n
\"\"
The Coachmen, USA<\/figcaption><\/figure>\n
\"\"
The Coins<\/figcaption><\/figure>\n
\"\"
The Contrasts<\/figcaption><\/figure>\n
\"\"
The Copycats<\/figcaption><\/figure>\n
\"\"
The Country Gents<\/figcaption><\/figure>\n
\"\"
Country Joe & the Fish, USA<\/figcaption><\/figure>\n
\"\"
The Corsairs, Glasgow<\/figcaption><\/figure>\n
\"\"
Jan Crawford & The Jokers<\/figcaption><\/figure>\n
\"\"
The Jimmy Crawford 4<\/figcaption><\/figure>\n
\"\"
The Cresters<\/figcaption><\/figure>\n
\"\"
The Criticks<\/figcaption><\/figure>\n
\"\"
The Original Cruisers<\/figcaption><\/figure>\n
\"\"
Dave Curtiss and the Tremors<\/figcaption><\/figure>\n
\"\"
The Cyclones<\/figcaption><\/figure>\n
\"\"
Cyrano and the Bergeracs<\/figcaption><\/figure>\n
\"\"
DAVE DEE, DOZY, BEAKY, MICK & TICH<\/figcaption><\/figure>\n
\"\"
The Warren Davis Monday Band<\/figcaption><\/figure>\n
\"\"
Alan Dean and The Problems<\/figcaption><\/figure>\n
\"\"
The Richard Dean Sect<\/figcaption><\/figure>\n
\"\"
The Debonairs<\/figcaption><\/figure>\n
\"Dave
Dave Dee & The Bostons<\/figcaption><\/figure>\n
\"\"
The Delmont Four<\/figcaption><\/figure>\n
\"\"
The Dennisons<\/figcaption><\/figure>\n
\"\"
The Dennisons<\/figcaption><\/figure>\n
\"\"
Kiki Dee<\/figcaption><\/figure>\n
\"\"
The Destinations<\/figcaption><\/figure>\n
\"\"
The De Tours<\/figcaption><\/figure>\n
\"\"
The Detours<\/figcaption><\/figure>\n
\"\"
The Devarks<\/figcaption><\/figure>\n
\"\"
The D’fenders<\/figcaption><\/figure>\n
\"\"
Dave Diamond and his Sapphires<\/figcaption><\/figure>\n
\"\"
The Dimensions, USA<\/figcaption><\/figure>\n
\"\"
Donovan<\/figcaption><\/figure>\n
\"\"
Dr. Marigolds Prescription<\/figcaption><\/figure>\n
\"\"
Don Duggan and The Savoys<\/figcaption><\/figure>\n
\"\"
Don Duggan and The Savoys<\/figcaption><\/figure>\n
\"\"
The Drifters<\/figcaption><\/figure>\n
\"\"
Julie Driscoll<\/figcaption><\/figure>\n
\"\"
The Dreams<\/figcaption><\/figure>\n
\"\"
The Druids<\/figcaption><\/figure>\n
\"\"
Dugan’s Band, USA<\/figcaption><\/figure>\n
\"\"
Simon Dupree and The Big-Sound<\/figcaption><\/figure>\n
\"\"
The Easybeats, Australia<\/figcaption><\/figure>\n
\"\"
Jacki Eely & the Courtmen, USA<\/figcaption><\/figure>\n
\"\"
The Elastic Band<\/figcaption><\/figure>\n
\"\"
The Episode<\/figcaption><\/figure>\n
\"\"
Nuova Equipe 84 , Italia<\/figcaption><\/figure>\n
\"\"
Eric and the Norsemen<\/figcaption><\/figure>\n
\"\"
The Escorts<\/figcaption><\/figure>\n
\"\"
The Escorts<\/figcaption><\/figure>\n
\"\"
The Essentials, USA<\/figcaption><\/figure>\n
\"\"
The Explosive<\/figcaption><\/figure>\n
\"\"
Adam Faith and The Roulettes<\/figcaption><\/figure>\n
\"\"
Marianne Faithful<\/figcaption><\/figure>\n
\"\"
Fame Georgie & the Blue Flames<\/figcaption><\/figure>\n
\"\"
Georgie Fame<\/figcaption><\/figure>\n
\"\"
Chris Farlowe and The Thunderbirds<\/figcaption><\/figure>\n
\"\"
Faron’s Flamingos<\/figcaption><\/figure>\n
\"\"
Gary Farr & The T-Bones<\/figcaption><\/figure>\n
\"\"
The Federals<\/figcaption><\/figure>\n
\"\"
The Fellows<\/figcaption><\/figure>\n
\"\"
The Fire<\/figcaption><\/figure>\n
\"\"
Shane Fenton<\/figcaption><\/figure>\n
\"\"
The Mickey Finn<\/figcaption><\/figure>\n
\"\"
The Five Americans, USA<\/figcaption><\/figure>\n
\"\"
The Five Express, USA<\/figcaption><\/figure>\n
\"\"
The Flee-Rakkers<\/figcaption><\/figure>\n
\"\"
The Flies<\/figcaption><\/figure>\n
\"\"
Wayne Fontana and the Mindbenders<\/figcaption><\/figure>\n
\"\"
Dean Ford and The Gaylords<\/figcaption><\/figure>\n
\"\"
Neil Ford and the Fanatics, USA<\/figcaption><\/figure>\n
\"\"
The Four Clefs<\/figcaption><\/figure>\n
\"\"
The Four Pennies<\/figcaption><\/figure>\n
\"\"
Kim Fowley<\/figcaption><\/figure>\n
\"\"
Freddie & The Dreamers<\/figcaption><\/figure>\n
\"\"
Elmer Gantry’s Velvet Opera<\/figcaption><\/figure>\n
\"\"
The Gentrie<\/figcaption><\/figure>\n
\"\"
Goldie & The Gingerbreads<\/figcaption><\/figure>\n
\"\"
Gerry & The Pacemakers<\/figcaption><\/figure>\n
\"\"
Wayne Gibson & the Dynamic Sounds<\/figcaption><\/figure>\n
\"\"
Glass Menagerie<\/figcaption><\/figure>\n
\"\"
Ricky Gleason & the Topspots<\/figcaption><\/figure>\n
\"\"
The Goldebriars, USA<\/figcaption><\/figure>\n
\"\"
Chick Graham & the Coasters, Liverpool<\/figcaption><\/figure>\n
\"\"
Graded Grains<\/figcaption><\/figure>\n
\"\"
Gullivers People<\/figcaption><\/figure>\n
\"\"
Gun<\/figcaption><\/figure>\n
\"\"
Gun<\/figcaption><\/figure>\n
\"\"
The Halers<\/figcaption><\/figure>\n
\"\"
The Hari-Kari<\/figcaption><\/figure>\n
\"\"
The Harlem Speakeasy<\/figcaption><\/figure>\n
\"\"
The Hideaways<\/figcaption><\/figure>\n
\"\"
The Hideaways, R\u00fcckseite<\/figcaption><\/figure>\n
\"\"
The Hideaways, Liverpool, signing a subscription to Mersey Beat magazine<\/figcaption><\/figure>\n
\"\"
The Hifis<\/figcaption><\/figure>\n
\"\"
The HiFis<\/figcaption><\/figure>\n
\"\"
The Hollies<\/figcaption><\/figure>\n
\"\"
The Hondells<\/figcaption><\/figure>\n
\"\"
The Honeycombs, London<\/figcaption><\/figure>\n
\"\"
The Honeycombs, London<\/figcaption><\/figure>\n
\"\"
The Hullaballoos<\/figcaption><\/figure>\n
\"\"
The Hunters<\/figcaption><\/figure>\n
\"\"
The Hustlers, Glasgow<\/figcaption><\/figure>\n
\"\"
The Jackpots<\/figcaption><\/figure>\n
\"\"
Malcolm James & the Callers<\/figcaption><\/figure>\n
\"\"
The Roger James Four<\/figcaption><\/figure>\n
\"\"
Jason Crest<\/figcaption><\/figure>\n
\"\"
Peter Jay and Jaywalkers<\/figcaption><\/figure>\n
\"\"
Bobby Jameson<\/figcaption><\/figure>\n
\"\"
Jaybirds with Richie Blackmore<\/figcaption><\/figure>\n
\"\"
The Jaybirds<\/figcaption><\/figure>\n
\"\"
Jerry and the Gems<\/figcaption><\/figure>\n
\"\"
The Jetblacks<\/figcaption><\/figure>\n
\"\"
Johnny and the Solitairs<\/figcaption><\/figure>\n
\"Dav\"
David John and The Mood<\/figcaption><\/figure>\n
\"\"
Juniors Eyes<\/figcaption><\/figure>\n
\"\"
Juniors Eyes<\/figcaption><\/figure>\n
\"\"
Gary Kane & The Tornadoes<\/figcaption><\/figure>\n
\"\"
The Karacters<\/figcaption><\/figure>\n
\"\"
Jonathan King<\/figcaption><\/figure>\n
\"\"
Jonathan King R\u00fcckseite<\/figcaption><\/figure>\n
\"\"
Kelly’s Eyes<\/figcaption><\/figure>\n
\"\"
The Klan<\/figcaption><\/figure>\n
\"\"
Johnny Kongos Band, South Africa<\/figcaption><\/figure>\n
\"\"
The Koobas<\/figcaption><\/figure>\n
\"\"
Alexis Korner’s Blues Incorporated<\/figcaption><\/figure>\n
\"\"
The Ladybirds<\/figcaption><\/figure>\n
\"\"
The Ladybirds R\u00fcckseite<\/figcaption><\/figure>\n
\"\"
The Ladykillers<\/figcaption><\/figure>\n
\"\"
The Ladykillers<\/figcaption><\/figure>\n
\"\"
Johnny Laine & The Tuxedos, Great Britain<\/figcaption><\/figure>\n
\"\"
Mark Leeman Five<\/figcaption><\/figure>\n
\"\"
Life N‘ Soul<\/figcaption><\/figure>\n
\"\"
Locomotive<\/figcaption><\/figure>\n
\"\"
Long John Baldry<\/figcaption><\/figure>\n
\"\"
Long John Baldry<\/figcaption><\/figure>\n
\"\"
Lulu and The Luvvers<\/figcaption><\/figure>\n
\"\"
The M 6<\/figcaption><\/figure>\n
\"\"
Lulu<\/figcaption><\/figure>\n
\"\"
The Majority<\/figcaption><\/figure>\n
\"\"
The Magic Lanterns<\/figcaption><\/figure>\n
\"\"
The Mark Four<\/figcaption><\/figure>\n
\"\"
The Maze<\/figcaption><\/figure>\n
\"\"
The M. I. Five<\/figcaption><\/figure>\n
\"\"
The Mighty Avengers<\/figcaption><\/figure>\n
\"\"
The Migil Five<\/figcaption><\/figure>\n
\"\"
The Misunderstood<\/figcaption><\/figure>\n
\"\"
The Modernists<\/figcaption><\/figure>\n
\"\"
The Modes<\/figcaption><\/figure>\n
\"\"
The Montanas<\/figcaption><\/figure>\n
\"\"
The Monotones<\/figcaption><\/figure>\n
\"\"
The Moody Blues<\/figcaption><\/figure>\n
\"\"
Morning Coffee, Wales<\/figcaption><\/figure>\n
\"\"
Mickie Most<\/figcaption><\/figure>\n
\"\"
The Motowns, Italy<\/figcaption><\/figure>\n
\"\"
The Johnny Mike Shades<\/figcaption><\/figure>\n
\"\"
The Nerve<\/figcaption><\/figure>\n
\"\"
The Nerve<\/figcaption><\/figure>\n
\"\"
Ohio Express, USA<\/figcaption><\/figure>\n
\"\"
The Onyx<\/figcaption><\/figure>\n
\"\"
Orange Bicycle<\/figcaption><\/figure>\n
\"\"
Orange Bicycle R\u00fcckseite<\/figcaption><\/figure>\n
\"\"
Orange Bicycle<\/figcaption><\/figure>\n
\"\"
The Outsiders, USA<\/figcaption><\/figure>\n
\"\"
The Overlanders<\/figcaption><\/figure>\n
\"\"
The Pack<\/figcaption><\/figure>\n
\"\"
Pal & the Prophets, USA<\/figcaption><\/figure>\n
\"\"
The Oz<\/figcaption><\/figure>\n
\"\"
Paper Blitz Tissue<\/figcaption><\/figure>\n
\"\"
The Paramounts<\/figcaption><\/figure>\n
\"\"
The Pathfinders<\/figcaption><\/figure>\n
\"\"
The Bobby Patrick Big Six<\/figcaption><\/figure>\n
\"\"
Patricia and the Crackaways<\/figcaption><\/figure>\n
\"\"
The Patriots, USA<\/figcaption><\/figure>\n
\"\"
Jimmy Patterson and the Facts of Life<\/figcaption><\/figure>\n
\"\"
Peppermint Excursion<\/figcaption><\/figure>\n
\"\"
The Persuasions<\/figcaption><\/figure>\n
\"\"
Peter and the Wolves<\/figcaption><\/figure>\n
\"\"
Phil’s Feelgoods<\/figcaption><\/figure>\n
\"\"
Picadilly Line<\/figcaption><\/figure>\n
\"\"
Plastic Penny<\/figcaption><\/figure>\n
\"\"
The Portraits, USA<\/figcaption><\/figure>\n
\"\"
Earl-Preston’s-Realms, Liverpool<\/figcaption><\/figure>\n
\"\"
Duffy Power<\/figcaption><\/figure>\n
\"\"
The Alan Price Set<\/figcaption><\/figure>\n
\"\"
Prince Charles & the Crusaders, USA<\/figcaption><\/figure>\n
\"\"
Procol Harum<\/figcaption><\/figure>\n
\"\"
Procol Harum<\/figcaption><\/figure>\n
\"\"
Earl Preston and the Realms<\/figcaption><\/figure>\n
\"\"
The Quotations<\/figcaption><\/figure>\n
\"\"
I Ragazzi del Sole, Italy<\/figcaption><\/figure>\n
\"\"
Chris Ravel and The Ravers<\/figcaption><\/figure>\n
\"\"
The Recondos<\/figcaption><\/figure>\n
\"\"
Reed in his own Rite, USA<\/figcaption><\/figure>\n
\"Reed
Reed in his own Rite, USA, R\u00fcckseite<\/figcaption><\/figure>\n
\"\"
The Renowns<\/figcaption><\/figure>\n
\"\"
The Remo Four<\/figcaption><\/figure>\n
\"\"
The Remo Four<\/figcaption><\/figure>\n
\"\"
The Remo Four<\/figcaption><\/figure>\n
\"\"
The Riot Squad<\/figcaption><\/figure>\n
\"\"
Rhythm & Blues Inc.<\/figcaption><\/figure>\n
\"\"
The Riot Squad<\/figcaption><\/figure>\n
\"\"
I Rocchetti, Italy<\/figcaption><\/figure>\n
\"\"
The Robin Hoods, USA<\/figcaption><\/figure>\n
\"\"
The Rockin‘ Ramrods, USA<\/figcaption><\/figure>\n

 <\/p>\n

\"\"
The Rockin‘ Berries<\/figcaption><\/figure>\n
\"\"
The Rockin‘ Rockardoes<\/figcaption><\/figure>\n
\"\"
Rogues Gallery, USA<\/figcaption><\/figure>\n
\"\"
The Rogues, USA, in Milwaukee<\/figcaption><\/figure>\n
\"\"
Rose and the Shamrocks<\/figcaption><\/figure>\n
\"\"
Vicki Rowe and her Ladybirds, UK<\/figcaption><\/figure>\n
\"\"
Earl Royce and the Olympics<\/figcaption><\/figure>\n
\"\"
Chris Ryan and the Questions<\/figcaption><\/figure>\n
\"\"
Mitch Ryder and the Detroit Wheels, Detroit<\/figcaption><\/figure>\n
\"\"
The Sabres<\/figcaption><\/figure>\n
\"\"
The Saints<\/figcaption><\/figure>\n
\"\"
The Sassenachs<\/figcaption><\/figure>\n
\"\"
Rupert’s People<\/figcaption><\/figure>\n
\"\"
The Scorpions<\/figcaption><\/figure>\n
\"\"
The Scots of St. James<\/figcaption><\/figure>\n
\"Scrugg\"
Scrugg<\/figcaption><\/figure>\n
\"\"
The Sentinels, USA<\/figcaption><\/figure>\n
\"\"
The Shades, USA<\/figcaption><\/figure>\n
\"\"
The Shags, USA<\/figcaption><\/figure>\n
\"\"
The Shake Spears, Belgium<\/figcaption><\/figure>\n
\"\"
Shane and the Shane Gang<\/figcaption><\/figure>\n
\"\"
The Shrapnels<\/figcaption><\/figure>\n
\"\"
The Sheffields, USA<\/figcaption><\/figure>\n
\"\"
Shelley<\/figcaption><\/figure>\n
\"\"
Shelley, R\u00fcckseite<\/figcaption><\/figure>\n

 <\/p>\n

\"\"
Mike Sheridan and the Nightriders<\/figcaption><\/figure>\n
\"\"
Tony Sheveton & the Shevells<\/figcaption><\/figure>\n
\"\"
Shorty & Them<\/figcaption><\/figure>\n
\"\"
Sir Reggie and the Rogues<\/figcaption><\/figure>\n
\"\"
The Silkie<\/figcaption><\/figure>\n
\"\"
Six In The Morning, USA<\/figcaption><\/figure>\n
\"\"
Millie Small<\/figcaption><\/figure>\n
\"\"
Mr. Smith and Sum People<\/figcaption><\/figure>\n
\"\"
Solomons Mines<\/figcaption><\/figure>\n
\"\"
The Sonics, USA<\/figcaption><\/figure>\n
\"\"
Sounds Incorporated<\/figcaption><\/figure>\n
\"\"
Sounds Incorporated<\/figcaption><\/figure>\n
\"\"
Sounds Unlimited<\/figcaption><\/figure>\n
\"\"
The Spectrum<\/figcaption><\/figure>\n
\"\"
The Spidermen<\/figcaption><\/figure>\n
\"\"
Spirits of Blue Lightning<\/figcaption><\/figure>\n
\"\"
The Stagemen<\/figcaption><\/figure>\n
\"\"
The Standells, USA<\/figcaption><\/figure>\n
\"\"
The State Express<\/figcaption><\/figure>\n
\"\"
Stone Broke, USA<\/figcaption><\/figure>\n
\"\"
Rory Storm & The Hurricanes<\/figcaption><\/figure>\n
\"\"
Rory Storm & The Hurricanes<\/figcaption><\/figure>\n
\"\"
Rory Storm & The Hurricanes<\/figcaption><\/figure>\n
\"\"
Skip Bifferty<\/figcaption><\/figure>\n
\"\"
The Sorrows<\/figcaption><\/figure>\n
\"\"
Roy Starr and the Cherokees<\/figcaption><\/figure>\n
\"\"
The Statesmen<\/figcaption><\/figure>\n

 <\/p>\n

\"\"
Robb Storme and the Whispers<\/figcaption><\/figure>\n

 <\/p>\n

\"\"
Al Stewart<\/figcaption><\/figure>\n
\"\"
Mark Stuart and The Crestas<\/figcaption><\/figure>\n
\"\"
The Stringmasters, Odense, Denmark<\/figcaption><\/figure>\n
\"\"
Mike St. Shaw and the Prophets, USA<\/figcaption><\/figure>\n
\"\"
Susie Q & the Originals<\/figcaption><\/figure>\n
\"\"
Lord Sutch with Noel Redding<\/figcaption><\/figure>\n
\"\"
Screaming Lord Sutch<\/figcaption><\/figure>\n
\"\"
Screaming Lord Sutch, Waldb\u00fchne Berlin, 14. August 1965<\/figcaption><\/figure>\n
\"\"
The Summer Set, England<\/figcaption><\/figure>\n
\"\"
Syndicate of Sound, USA<\/figcaption><\/figure>\n
\"\"
Brian T & The Strollers<\/figcaption><\/figure>\n
\"\"
The T-Bones<\/figcaption><\/figure>\n
\"\"
Today’s Tomorrows, USA<\/figcaption><\/figure>\n
\"\"
Tony and the Bandits, USA<\/figcaption><\/figure>\n
\"\"
The Tumblin Fallin Blues Band<\/figcaption><\/figure>\n
\"\"
The Turtles<\/figcaption><\/figure>\n
\"\"
The Uglys<\/figcaption><\/figure>\n
\"\"
The Ultimates<\/figcaption><\/figure>\n
\"\"
Unit 4 + 2<\/figcaption><\/figure>\n
\"\"
The Valkyries<\/figcaption><\/figure>\n
\"\"
The Vee-Tones, USA<\/figcaption><\/figure>\n
\"\"
The Viscounts, USA<\/figcaption><\/figure>\n
\"\"
The Variations<\/figcaption><\/figure>\n
\"\"
Ray Vince and the Raiders<\/figcaption><\/figure>\n
\"\"
The Vogues<\/figcaption><\/figure>\n
\"\"
Pat Wayne and the Beachcombers<\/figcaption><\/figure>\n
\"\"
Weather<\/figcaption><\/figure>\n
\"\"
The Web with John L Watson<\/figcaption><\/figure>\n
\"\"
Bert Weedon<\/figcaption><\/figure>\n
\"\"
We Five<\/figcaption><\/figure>\n
\"\"
Wellington Kitch<\/figcaption><\/figure>\n
\"\"
Peter West & The Embers<\/figcaption><\/figure>\n
\"\"
The Wild Angels<\/figcaption><\/figure>\n

 <\/p>\n

\"\"
The WIld Ones<\/figcaption><\/figure>\n
\"\"
Paul Williams<\/figcaption><\/figure>\n
\"\"
Paul Williams, R\u00fcckseite<\/figcaption><\/figure>\n
\"\"
Wishful Thinking (1966)<\/figcaption><\/figure>\n
\"\"
The Wolves<\/figcaption><\/figure>\n
\"\"
The Wranglers (with Kenny Bernard)<\/figcaption><\/figure>\n
\"\"
Shang Wyman and the Senators . Nottingham<\/figcaption><\/figure>\n
\"\"
The XPressmen<\/figcaption><\/figure>\n
\"\"
The Yellow Payges, USA<\/figcaption><\/figure>\n
\"\"<\/a>
Obediah Heap, Morecambe nr. Lancaster, 1967. Phil Rae: „The guitar case in the photo has my Strat inside. All UK-sold Fender guitars originally had cases provided by their UK distributor, Selmer. I am told that Selmer were so cheap that they had all their USA made guitars (Fender, Gibson etc) imported without cases, as it was cheaper. And then they used their own cases instead, which all looked like the one in the photo – even for basses. Certainly every Strat, Tele, Precision, Jazz Bass, SG and EBO\/EB3 basses I ever saw back then, had the same style case.“
<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Obediah Heap, Morecambe, Jeff Dade, John Sherwood, Kenny Roberts, Phil Rae, at the Magic, Village, Manchester, 1967<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Obediah Heap, Morecambe nr. Lancaster, at the Magic, Village, Manchester, 1967<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
Obediah Heap, Morecambe nr. Lancaster, at the Magic, Village, Manchester, 1967<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Obediah Heap, Morecambe nr. Lancaster, at the Magic, Village, Manchester, 1967<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
Obediah Heap, Morecambe nr. Lancaster, 1967<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Obediah Heap advert<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>
Phil Rae, pre-Obediah Heap, with his Harmony H76 guitar which had bought from Fritz Fryer of the Four Pennies, 1965. Phil Rae: „With added Bigsby and missing pickguard. It was traded for a 1963 Strat the following year.“<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Phil Rae, pre-Obediah Heap, with his Harmony H76 guitar, 1965. Phil Rae: „Also funny is the amp system I am using. You will see a really rare Burns Tele amp. I didn’t know this at the time, but I’ve never seen another one since. And then, even funnier, I seem to have plugged this amp into what looks like a terrible Shaftesbury – probably a 515 Combo – for extra power! All I remember is that these amps were very cheap, which is why I had them. Both were soon traded – along with a Watkins Copicat – for a really mint Vox AC30. I often wonder where some of this old equipment finally ended up…“<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>
Phil Rae, pre-Obediah Heap, with his red Fender Stratocaster. Phil Rae: „The photos of me with the Harmony would have been taken when I was 12, or maybe 13 years old. Judging by the photos, I seemed to at least know the chord of A by that time! The Harmony didn’t last for long. I was 14 when it got traded in for a Strat. I think I had bought the Strat in London only a few days before this photo was taken.“<\/em><\/span><\/figcaption><\/figure>\n
\"\"
THE BO STREET RUNNERS<\/em><\/figcaption><\/figure>\n
\"\"
The Bo Street Runners<\/figcaption><\/figure>\n
\"\"
Casey Jones & The Governors, Berlin, Deutschlandhalle, 1965, Tournee mit The Lords und The Beat Chicks<\/span><\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
Casey Jones & The Governors, Berlin, Deutschlandhalle, 1965, Tournee mit The Lords und The Beat Chicks<\/span><\/em><\/span><\/figcaption><\/figure>\n
\"\"
Casey Jones & The Governors, Berlin, Deutschlandhalle, 1965, Tournee mit The Lords und The Beat Chicks<\/span><\/em><\/span><\/figcaption><\/figure>\n
\"\"
Casey Jones & The Governors, Berlin, Deutschlandhalle, 1965, jetzt traute sich der Fotograf mal vor die B\u00fchne<\/span><\/em><\/span><\/figcaption><\/figure>\n
\"\"
Casey Jones & The Governors, Berlin, Deutschlandhalle, 1965, schicker Anzug, Casey, mit Bolero-Litze…<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Casey Jones & The Governors, Berlin, Deutschlandhalle, 1965, auch wenn ihr wilde Schau macht, wir sitzen brav und atmen tief durch<\/span><\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
Casey Jones & The Governors, Berlin, Deutschlandhalle, 1965, Tournee mit The Lords und The Beat Chicks<\/span><\/em><\/span><\/figcaption><\/figure>\n
\"\"
Casey Jones & The Governors, Berlin, Deutschlandhalle, 1965, Tournee mit The Lords und The Beat Chicks<\/span><\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
Casey Jones & The Governors, Berlin, Deutschlandhalle, 1965 – jetzt ist auch noch der Fotograf verr\u00fcckt geworden<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

Mehr Bilder von Casey Jones and The Governors weiter unten\/more pics further down<\/span><\/p>\n

\"\"
The Cedars, Beirut<\/em><\/figcaption><\/figure>\n

 <\/p>\n

\"\"
The Copycats, Schottland<\/em><\/span><\/figcaption><\/figure>\n
\"\"
The Copycats, Schottland<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Freddie and The Dreamers<\/em><\/figcaption><\/figure>\n
\"\"
The Jaybirds<\/em><\/figcaption><\/figure>\n

 <\/p>\n

\"\"
Johnny & The Hurricanes, Kiel, Ostseehalle 1964 – nun behaupte noch jemand, die kurzen Hosen seien Erfindung der Soulbrothers!<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Johnny & The Hurricanes, zur Zeit ihres Star-Club-Engagements 1962: Bobby Cantrall (Robert Ignatovski), Johnny Paris (John M. Pocisk), Ray Drake, Edgar Field (Edgar Wagenfeld), Billy Marsh (William Wolfe)<\/em><\/span><\/figcaption><\/figure>\n\n\n\n\n
\"\"
Johnny & The Hurricanes, im Star-Club, 1962, Fan-Club-Mitglied mit Johnny Paris\u00a0\u00a0\u00a0 – Siehe auch 1<\/a><\/sup><\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
Johnny & The Hurricanes, im Star-Club, 1962, Johnny Paris<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n
\n
<\/div>\n

\"\"
Johnny & The Hurricanes, im Star-Club, 1962, Johnny Paris, Billy Marsh<\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"
Johnny and The Hurricanes: zum Kaffee bei Johnny auf dem Zimmer im Pacific Hotel Hamburg 1964. Die einfachen Clubleute stehen links, Klaus Brunner ist au\u00dferhalb des Bildes; Fan-Club-Boss Dieter L\u00fcnfeld alias Tony Hendrik nat\u00fcrlich neben Manager – man sieht ihm den Gauner schon an – Irving Micahnik. Ansonsten Johnny Paris, Bobby Cantrall +Billy Marsh.jpg<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\"\"
Johnny & The Hurricanes, zum Engagement im Star-Club, Hamburg, 28.3.-2.4.64,Freizeitvergn\u00fcgen im Hippodrom, Hamburg: Johnny Paris, Bruce Scherer, Ray Whelan<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Johnny & The Hurricanes, im Star-Club, 1964, Johnny Paris<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n

\"\"
The Mooncats, Wien<\/em><\/span><\/figcaption><\/figure>\n
\"\"
THE DENNY MITCHELL SOUNDSATIONS<\/em><\/figcaption><\/figure>\n
\"\"
Les Sauterelles, Schweiz<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Captain Bell & The Bell Boys, im Star-Club, Bochum, 1965<\/em><\/span><\/figcaption><\/figure>\n
\"\"
CAPTAIN BELL & THE BELL-BOYS Flyer<\/figcaption><\/figure>\n

James Marshall:<\/span> „I am from Scotland but I lived in Germany from 1964 until 1970. I started out by going to Germany with a Scottish band called Tommy and the Delmonts. We played our first gig in M\u00fcnster at the Copacabana Club and then on to Club Barbina in Dortmund. During the first couple of months we expanded the group with a saxplayer and an organist and changed the name to „Captain Bell and the Bell-Boys “ Great sound, sadly we split up and I joined a German band. They were the backing band for Manuela, a well-known singer from Berlin with a lot of hit records and T.V. shows. They were called the 5 Dops (see there). Later on I joined another German band called the „Strangers“ (see there) from Ulm area. I really enjoyed my stay in Germany.“<\/span><\/em><\/p>\n

\"\"<\/a>
Captain Bell & The Bell Boys, im Star-Club, Bochum, 1965<\/em><\/span><\/figcaption><\/figure>\n\n\n\n
\n

\"\"
Ticket to the All-Nite Beat Boat River Mersey Cruise dance on the the ‚Royal Iris‘<\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"
Ticket to the All-Nite Beat Boat River Mersey Cruise dance on the the ‚Royal Iris‘ – back<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\"\"<\/a>
The Redcaps, Walsall<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Faron’s Flamingos, Liverpool, 1963<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n\n\n\n
\n

\"\"
The Notions, Liverpool<\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"
The Notions, Liverpool, R\u00fcckseite<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\"\"<\/a>
The Epics, London<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
The Escorts, Liverpool (courtesy of Edsel Records)<\/em><\/span><\/figcaption><\/figure>\n
\"\"
The Fairies, 1965<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
The Merseybeats, Liverpool (courtesy of Edsel Records)<\/em><\/span><\/figcaption><\/figure>\n
\"\"
The Marbles [Graham Bonnet & Trevor Gordon] at Lou Bonnet’s house, 1968<\/em><\/span><\/figcaption><\/figure>\n
\"\"
The Applejacks<\/figcaption><\/figure>\n
\"\"
The Applejacks<\/em><\/span><\/figcaption><\/figure>\n
\"\"
MAD CLASSIX<\/em><\/figcaption><\/figure>\n
\"\"
Paper Blitz Tissue<\/em><\/figcaption><\/figure>\n
\"\"
The Pentad<\/em><\/figcaption><\/figure>\n
\"\"<\/a>
The Roulettes<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
The Londoners in unbekanntem deutschen Club<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n

>><\/span>The Londoners – Bring It On Home To Me<\/a><\/span><\/p>\n

\"\"<\/a>
The London Beats [sp\u00e4ter The Londoners], in Deutschland, Ende 1964<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
Jimi Hendrix, 1967, in der Neuen Welt, Berlin-Neuk\u00f6lln, Foto Luesse<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>
Jimi Hendrix Experience in Neue Welt, Berlin, Mitch Mitchell am Schlagzeug der Berliner Beat Cats, 1967<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n

\"\"<\/a>
Goldie & The Gingerbreads, New York, feat. Genya Ravan, pr\u00e4-Ten Wheel Drive, in Wilhelmshaven, 1966<\/em><\/span><\/figcaption><\/figure>\n\n\n\n\n
\n

\"\"<\/a>
Goldie & The Gingerbreads, New York, feat. Genya Ravan, pr\u00e4-Ten Wheel Drive, in Wilhelmshaven, 1966<\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
Goldie & The Gingerbreads, New York, feat. Genya Ravan, pr\u00e4-Ten Wheel Drive, in Wilhelmshaven, 1966<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n
 <\/p>\n

\"\"<\/a>
Goldie & The Gingerbreads, New York, feat. Genya Ravan, pr\u00e4-Ten Wheel Drive, in Wilhelmshaven, 1966<\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
Goldie & The Gingerbreads, New York, feat. Genya Ravan, pr\u00e4-Ten Wheel Drive, in Wilhelmshaven, 1966<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\"\"
Jimi Hendrix as seen in Germany<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Me (fotografierend nicht im Bild) and Friends in D\u00fcsseldorf, vor dem entt\u00e4uschenden Jimi Hendrix Experience-Auftritt in der Rheinhalle, 3. von links ist Edwin Zaft, 4. von links ist ‚Hoss‘ Anspiegler, die anderen habe ich vergessen, einer hie\u00df wohl ‚Hegi‘ Hegenauer, Januar 1969<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n

\"\"<\/a>
The Retreads<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
Lee Curtis, Liverpool<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n

\"\"<\/a>
Lee Curtis, Garderobe Weser-Ems-Halle, Oldenburg, 1965, hat er die halbe Kiste Bier ex und hopp…<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n

\"\"<\/a>
Don Adams, mit Frau, Peter ‚Gypsy‘ Reiferscheid, Klaus Braselmann, 1967<\/em><\/span><\/figcaption><\/figure>\n\n\n\n\n
\n

\"\"<\/a>
The Cresters, Elgin, Scotland, Richard Harding, gtr, and Paul Harding, b, in Germany<\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
The Cresters, Elgin, Scotland, Johnny Casson, dr, in Germany<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n
\n

\"\"
The Cresters, Elgin, Scotland, Paul Harding, in Germany<\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"
The Cresters, Elgin, Scotland, Richard Harding, in Germany<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\"\"
PAUL WILLIAMS<\/em><\/figcaption><\/figure>\n
\"\"
unbekannte Band aus Gro\u00dfbritannien<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
Cliff Adams & The Twilights, London<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Toni Cavana & The Sharks, Hamburg<\/em><\/span><\/figcaption><\/figure>\n
\"\"
Johnny Laine & The Tuxedos, Great Britain, in Germany<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
The Move, Birmingham, Carl Wayne, Bev Bevan, Chris ‚Ace‘ Kefford, Trevor Burton, Roy Wood, fotografiert von Rob Bosboom, Zaandam – my fave 60s band, looking extremely cool and their performances were like A+…<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
The Move, Birmingham, Trevor Burton, Carl Wayne, Bev Bevan, Roy Wood, Chris ‚Ace‘ Kefford – one of the coolest bands around in the 60s, and Ace Kefford was my hero for some time. Impossible to get such a cool blonde afro outside London! As Ace dropped \/ or was dropped \/ from the scene, Fred „Sonic“ Smith became my hero. And he is to this very day.<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
The Move, Birmingham<\/em><\/span><\/figcaption><\/figure>\n

…and here is a performance to prove it:<\/p>\n

>><\/strong>The Move – Live on German TV<\/a><\/p>\n

\"\"<\/a>
Johnny Hastings and The Tributes, Bristol, spielen in der Crackerbox, M\u00fcnchen<\/em><\/span><\/figcaption><\/figure>\n

>>UK Johnny Hastings and The Tributes, Bristol, in Bristol Beat magazine<\/a><\/p>\n

\"\"<\/a>
Johnny Hastings and The Tributes, Bristol, spielen in der Crackerbox, M\u00fcnchen<\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

\"\"
Johnny Hastings and The Tributes, Bristol, message for The Crackerbox scrapbook<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
The Kinks, London, musik parade Tournee 1965, Vestlandhalle Recklinghausen (Horst Ebert<\/em><\/span><\/figcaption><\/figure>\n\n\n\n\n\n
\n

\"\"
The Kinks, London, musik parade Tournee 1965, Vestlandhalle Recklinghausen, Ray Dvies (Horst Ebert)<\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
The Kinks, London, musik parade Tournee 1965, Vestlandhalle Recklinghausen, Dave Davies (Horst Ebert)<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n
\n

\"\"<\/a>
The Kinks, London, musik parade Tournee 1965, Vestlandhalle Recklinghausen, Pete Quaife (Horst Ebert)<\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
The Kinks, London, musik parade Tournee 1965, Vestlandhalle Recklinghausen, Dave Davies (Horst Ebert)<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n
\n

\"\"<\/a>
The Kinks, London, musik parade Tournee1965, Vestlandhalle Recklinghausen, unbekannt, Dave Davies (Horst Ebert)<\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
The Kinks, London, musik parade Tournee 1965, Vestlandhalle Recklinghausen, Ray Davies<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n
\n

\"\"<\/a>
The Kinks, London, musik parade Tournee1965, Vestlandhalle Recklinghausen, Dave Davies (Horst Ebert)<\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
The Kinks, London, musik parade Tournee 1965, Vestlandhalle Recklinghausen, Ray Davies (Horst Ebert)<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n
\n

\"\"<\/a>
The Kinks, London, musik parade Tournee 1965, Vestlandhalle Recklinghausen, Ray Davies (Horst Ebert)<\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
The Kinks, London, musik parade Tournee 1965, Vestlandhalle Recklinghausen, Pete Quaife (Horst Ebert)<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n
\n

\"\"<\/a>
The Kinks, London, musik parade Tournee 1965, Vestlandhalle Recklinghausen, Pete Quaife (Horst Ebert)<\/em><\/span><\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
The Kinks, London, musik parade Tournee 1965, Vestlandhalle Recklinghausen, Dave Davies<\/em><\/span><\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\"\"<\/a>
The Kinks, London, musik parade Tournee 1965, Vestlandhalle Recklinghausen, Mick Avory (Horst Ebert)<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
The Rolling Stones, Kursaal Scheveningen, 6.8.64<\/em><\/span><\/figcaption><\/figure>\n
\"\"<\/a>
The Rolling Stones, Scheveningen Kursaal, 6.8.64, Mick Jagger, Charlie Watts, Brian Jones<\/em><\/span><\/figcaption><\/figure>\n

>><\/strong>The Rolling Stones live in Scheveningen<\/a><\/p>\n

The Rolling Stones played two half hour shows in Scheveningen that night. The first show was broadcast on Dutch TV, the second wasn’t. I have had a beta video of the first show, and the show is great. I knew that the second show was also filmed, but not broadcast. About 15 years ago I got a dvd of the second show and I realised why it had not been fit for TV. The show soon developed into a mass brawl of quite monumental proportions! The Rolling Stones went offstage – beaten!<\/span><\/p>\n\n\n\n\n\n\n\n
\"\"<\/a>
Casey Jones (& The Governors), Liverpool&Bristol, mit Mike Granowski von den Black Shadows, in Ostfriesland, 1966 \u00a0 Siehe auch 2<\/a><\/sup><\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
Casey Jones (& The Governors), Liverpool&Bristol, in Ostfriesland, 1966<\/figcaption><\/figure><\/td>\n<\/tr>\n
\n

\"\"<\/a>
Casey Jones & The Governors, Liverpool&Bristol, Roger Hook, in Ostfriesland, 1966<\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
Casey Jones & The Governors, Liverpool&Bristol, Peter Richards, in Ostfriesland, 1966<\/figcaption><\/figure><\/td>\n<\/tr>\n
\n

\"\"<\/a>
Casey Jones (& The Governors), Liverpool&Bristol, in Ostfriesland, 1966<\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
Casey Jones & The Governors, Liverpool&Bristol, Jim Redford, in Ostfriesland, 1966<\/figcaption><\/figure><\/td>\n<\/tr>\n
\n

\"\"<\/a>
Casey Jones & The Governors, Liverpool&Bristol, Peter Richards, in Ostfriesland, 1966<\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
Casey Jones & The Governors, Liverpool&Bristol, Dave Colman in Ostfriesland, 1966<\/figcaption><\/figure><\/td>\n<\/tr>\n
\n

\"\"<\/a>
Casey Jones & The Governors, Liverpool&Bristol, Casey w\u00e4hrend der Jack-The-Ripper-Show, in Ostfriesland, 1966<\/figcaption><\/figure><\/td>\n
 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>
Casey Jones & The Governors, Liverpool&Bristol, Casey w\u00e4hrend der Jack-The-Ripper-Show, in Ostfriesland, 1966<\/figcaption><\/figure>\n\n\n\n
\n

\"\"<\/a>
Casey Jones & The Governors, Liverpool+Bristol, Esens, Peters Gastst\u00e4tten<\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
Casey Jones & The Governors, Liverpool+Bristol, Chris Priemel und Manger Eti, The Black Shadws, Aurich, sch\u00fctzen Casey vor Erk\u00e4ltungskrankheiten Esens, Peters Gastst\u00e4tten<\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\"\"
Just Four Men<\/figcaption><\/figure>\n\n\n\n\n
\n

\"\"
Linda Laine and The Sinners, UK, in Wilhelmshaven, 1966<\/figcaption><\/figure><\/td>\n
\n

\"\"
Linda Laine and The Sinners, UK, in Wilhelmshaven, 1966<\/figcaption><\/figure><\/td>\n<\/tr>\n
\n

\"\"
Linda Laine and The Sinners, UK, in Wilhelmshaven, 1966<\/figcaption><\/figure><\/td>\n
\n

\"\"
Linda Laine and The Sinners, UK, in Wilhelmshaven, 1966<\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\"\"<\/a>
Dave Dee, Dozy, Beaky, Mick & Tich, live in den Niederlanden, 1966<\/figcaption><\/figure>\n\n\n\n\n\n
\n

\"\"<\/a>
The Equals, London, in Germany<\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
The Equals, London, in Germany, Pat Lloyd; Lincoln Gordon<\/figcaption><\/figure><\/td>\n<\/tr>\n
\n

\"\"<\/a>
The Equals, London, in Germany, Lincoln Gordon<\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
The Equals, London, in Germany, Eddie Grant, Derv Gordon, John Hall<\/figcaption><\/figure><\/td>\n<\/tr>\n
>><\/strong>The Equals live in France
\n<\/a><\/p>\n

\"\"<\/a>
The Equals, London, in Germany, Eddie Grant, Derv Gordon, John Hall, Pat Lloyd, Lincoln Gordon<\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
The Equals, London, in Germany – v\u00f6llig losgel\u00f6st von der Erde<\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\"\"<\/a>
The Turtles, Los Angeles<\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n\n\n\n
\n

\"\"<\/a>
Herman’s Hermits<\/figcaption><\/figure><\/td>\n
\n

\"\"<\/a>
Herman’s Hermits, Manchester<\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

>><\/strong>Herman’s Hermits – The Hilton Show <\/a><\/p>\n

\"\"<\/a>
The Beatles, Capitol US Autogrammpostkarte, mit Ringo, der gar nicht auf dem Bild sein wollte<\/figcaption><\/figure>\n
\"\"<\/a>
The Bee Gees, 1966<\/figcaption><\/figure>\n
\"\"<\/a>
The Bee Gees, 1966, auf der Flucht<\/figcaption><\/figure>\n

 <\/p>\n

\"\"<\/a>
The Troggs, Andover<\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

>>The Troggs – I Can Only Give You Everything (live 1967)<\/a><\/p>\n

\"\"<\/a>
The Pretty Things, London, teilweise Phil May, Dick Taylor, Brian Pendleton, London 1964<\/figcaption><\/figure>\n

The Pretty Things live at the Blokker Hall video<\/span><\/a><\/p>\n

The Pretty Things live 1965 in good quality<\/span> <\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>
Paddy Klaus & Gibson – Klaus Voormann und Gibson Kemp<\/figcaption><\/figure>\n
\"\"
The Paramounts, London, bevor sie zu Procol Harum wurden<\/figcaption><\/figure>\n
\"\"<\/a>
The Creation, London, fotografiert von Peter Thalhammer, M\u00fcnchen<\/figcaption><\/figure>\n

 <\/p>\n

\"\"
(Kenny Lee &) The Mark 4 (sp\u00e4ter The Creation), 1964<\/figcaption><\/figure>\n

Kenny Lee & The Mark IV, bzw. The Mark IV, hatten insgesamt drei Engagements im Big-Ben-Club, Wilhelmshaven: vom 9.2. bis 28.3.64, vom 4.5. bis 10.5.64 und vom 25.6. bis 31.7.64. Bald gaben sie sich einen neuen Namen und landeten einen gro\u00dfen Hit: The Creation. Siehe mehr dazu bei ‚Clubs, Gastst\u00e4tten, Orte der Festivals‘<\/span>
\n<\/span><\/p>\n

\"\"
Kenny Lee & Mark 4 (sp\u00e4ter The Creation) – Anzeige f\u00fcr monatsstrippe im Big-Ben-Club, WIlhelmshaven<\/figcaption><\/figure>\n
\"\"
Kenny Lee & The Mark IV im Big-Ben-Club, Wilhelmshaven (pre-The Creation)<\/figcaption><\/figure>\n

 <\/p>\n

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The Mark 4 im Big Ben Club, Wilhelmshaven (pre-The Creation)<\/figcaption><\/figure>\n
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Kenny Lee & Mark 4 (sp\u00e4ter The Creation) im Big-Ben-Club, Wilhelmshaven<\/figcaption><\/figure>\n
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Kenny Lee & The Mark IV (pre-The Creation)<\/figcaption><\/figure>\n
\"\"<\/a>
The Creation in Germany<\/figcaption><\/figure>\n
\"\"<\/a>
R\u00fcckseite von Creation Foto<\/figcaption><\/figure>\n
\"\"
Bobby Gibson & The Bondsmen Bandbus vor dem Big-Ben-Club, Wilhelmshaven – man beachte die Geographiekenntnisse der Band!<\/figcaption><\/figure>\n
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Bobby Gibson & the Bondsmen, UK, Bandbus<\/figcaption><\/figure>\n
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Bobby Gibson & The Bondsmen, London (?), im Big-Ben-Club, Wilhelmshaven, vom 11.5.-24.6.64<\/figcaption><\/figure>\n
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Bobby Gibson & the Bobcats (Bondsmen) – hier ist die Wilhelmshavener Zeitung etwas sp\u00e4t dran: die Jungs sind bereits abgereist. Auch zu dieser Band mehr bei ‚Clubs, Gastst\u00e4tten, Orte der Festivals‘<\/figcaption><\/figure>\n
\"\"<\/a>
The Kinks, Bremen, 1965<\/figcaption><\/figure>\n
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The Kinks, Bremen, 1965<\/figcaption><\/figure>\n

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>><\/strong>The Kinks -Live in Paris 1965<\/a><\/p>\n

\"\"<\/a>
The Kinks, Bremen, 1965<\/figcaption><\/figure>\n
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The Kinks, Bremen, 1965<\/figcaption><\/figure>\n
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The Kinks, Bremen, 1965<\/figcaption><\/figure>\n

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The Kinks, Weser-Ems-Halle, 1965, vor dem Auftritt<\/figcaption><\/figure>\n
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The Kinks, Weser-Ems-Halle, 1965, mit Unterschriften<\/figcaption><\/figure>\n

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Alexis Korner & Band, 1963<\/figcaption><\/figure>\n
\"\"<\/a>
Anita Pallenberg und Brian Jones, Bildrechte an Bravo 1965 vergeben, heute wahrscheinlich Getty Images<\/figcaption><\/figure>\n

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\"\"
7 The Kinks, London, Bremen, 1965<\/figcaption><\/figure>\n
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The Shamrocks, Isle of White<\/figcaption><\/figure>\n
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The Shamrocks, Isle of White, UK<\/figcaption><\/figure>\n


>><\/strong>The Shamrocks – Shame Shame Shame (stereo)<\/a><\/p>\n

What Gary Cowtan, The Shamrocks\u2019 lead singer (the guy in the middle), remembers about the film \u201eThe Shamrocks – Portrait einer Beatband“: It was shot in Berlin in 1966. It was initially intended for TV, but, as far as I know, none of the German TV stations wanted it! It was originally planned to be around 45 minutes long and included 8 – 10 original songs (2 written by Dave Allen and the rest by me). The songs were all recorded (straight to mono, with no more than 1 overdub, as far as I remember) and enough footage was shot, but a lot was later edited out. What remained was only 15 minutes! I remember vaguely that we were later blamed for this, because of our lack of cooperation whilst filming. This was hardly surprising, as we thought the whole plot sucked and that the film was a misrepresentation of the band (at least, I know I did). When we shot the opening sequence, with the old car, I said, \u201eThe only thing missing now is Charlie Chaplin!“ We also didn’t trust the producer, G\u00fcnther Schlesinger. He had ripped us off before, but wanted \u201eanother Chance to pay us back“ with this film. He never did, so our distrust was justified.<\/span><\/p>\n

I remember watching the footage after the shooting, but never saw the final edit until years later. After the Shamrocks had split up, I remember people telling me, in ’69 or \u201870, that they had seen it in the cinema as the B-film before \u201eCream – The Last Concert“. I was amazed! Musical styles had changed so much since the Shamrocks‘ split, that we must have seemed quite an anachronism, compared to Cream! I later tried to trace the royalties for my songs, but, apparently the GEMA (German Copyright protection society) had no record of the film! I never saw the final version myself until the early eighties, when I just happened to bump into the cameraman, Klaus Merl, in a Berlin club. He told me he had a copy of the film and made a Betamax copy of it for me.<\/span><\/p>\n

When I finally saw it, I was horrified! Some of the best songs had been edited out – I guess they had been too progressive for the producer. He had obviously left in only what he considered to be the \u201enice“ ones and taken out all the aggressive stuff, so it’s not a good representation of the band’s music in 1966, as a whole. I remember that, while we were in the studio, recording the music for the film, Schlesinger wanted the opening tune to be an instrumental, so we did \u201eSaturday Night at the Duckpond“ (an adaptation of part of Tchaikowsky\u2019s \u201eSwan Lake“!), as a joke – and he loved it! Then he wanted something that sounded \u201esexy“, so I wrote \u201eTurn Me On“ on the spot, just to keep him happy. We hated both of them and never played them live! The two Dave Allen songs \u201eStill Waters Run Deep“ and \u201eThe Cool-Cold Breeze of Evening“ were remnants from a previous band of his (before the Aardvarks) and were also not normally part of our live show. Dave and I only used to play these in clubs (never on concerts), if it was getting empty, late at night, and the club manager wanted something softer! Then the rest of the band could slip off stage for a quiet beer, leaving Dave and me to hold the fort with a little \u201eunplugged“ set! This is no discredit to Dave or his songs – he would be the first to admit that they didn’t fit into the Shamrocks‘ idiom. \u201eSpread the News“ was more typical for the band at this time, as was \u201eCrossbow“, which we re-recorded (plus horns and in glorious stereo!!!), soon after, as a single. This song has some disastrous edits in the film. But there were some more raunchy songs, with guitar distortion and feedback, that just got sliced out of the film. You wouldn’t believe it by watching this film, but, by late summer ’66, the Shamrocks were just beginning to get \u201eheavy“!<\/span><\/p>\n

Zu \u201eReady, Steady, Win“: I\u2019m not sure if we played the final. I can only remember one broadcast in which we came 2nd<\/sup>. It probably was a preliminary round. The only band being on the show with us and who later appeared on LP are The Olympics. <\/em><\/span><\/p>\n

\"\"
Don Adams<\/figcaption><\/figure>\n
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Don Adams in Baumholder<\/figcaption><\/figure>\n
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Jimmy Powell and The Dimensions<\/figcaption><\/figure>\n

Alan Stone schreibt: „Hi! Amazing! – someone who owns a Jimmy Powell record with me on, apart from myself! OK, here’s a brief history (if I go on too much, I apologise!). I was in a local group called „Willie’s Cult“ – I play tenor sax, by the way. One day we got a call from Jimmy Powell who wanted a backing band for that Saturday night. This would be about 1966. I’d heard of him and to us he was a minor star, so we were a bit awestruck at first. We drove to the gig, compared our list of tunes & keys and went on and played with no rehearsal! After the gig he asked us to join him on a permanent basis, and we were with him for about 2 years. We played universities and US Air bases. Some of the bands we shared the bill with were Georgie Fame, Bee Gees (they’d just arrived from Oz), Troggs, Herman’s Hermits, John Mayall, Eartha Kitt, Mr. Acker Bilk, The Who, Fleetwood Mac, Manfred Mann, Alan Price, Alexis Korner, etc. One tour of Scotland we met Stuart Henry the DJ who died a few years ago. One memorable gig was at the Savile Theatre, London……. Brian Epstein booked shows there. We opened for Cream, (Eric, Jack & Ginger), John Mayall and Rod Stewart & The Faces. As you say , he’d been to Germany so he knew Ginger Baker. We were impressed!! I still have the programmme. Other highlights were two Decca 45’s „Unexpected Mirrors“ \/ „Time Mends Broken Hearts“ DECCA F12664 and „I Just Can’t Get Over You“\/“Real Cool“ DECCA F12751. Also we appeared on TV in a Soap – „The Newcomers“ on BBC. Jimmy Powell recorded for Young Blood label in 1968\/9 after I’d left. I’ve got tapes of us somewhere – anyway, if you want more cuttings etc., let me know & I’ll email them. Here’s a photo taken by the stage door of the Savile Theatre.<\/span>“ Alan is second from the left.<\/span><\/p>\n

>><\/strong>Jimmy Powell<\/a><\/span><\/p>\n

\u201cFor just a few months in 1964 (approximately July to October), \u2018The Who\u2019 changed their name to \u2018The High Numbers\u2019, releasing one single under that billing before reverting to the more inventive and appropriate \u2018The Who\u2019. The name change resulted from their association with Pete Meaden, a mod who briefly managed them in mid-1964. Meaden was instrumental in getting the band to gear their music and image more toward the mod movement, and this was reflected in his choice of the name \u2018The High Numbers\u2019, which arose from mod slang\u201d (quoted from discogs). \u00a0\u00a0<\/span><\/p>\n

The band released a 7″ 45rpm single on Fontana TF 480 in 1964:\u00a0<\/span><\/p>\n

A-Side: Zoot Suit (P. Meadon) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B-Side: I’m The Face (P. Meadon)<\/span><\/p>\n

Pete Meadon was responsible for the songwriting of both the tracks on the single: \u2018I’m The Face\u2019 was a rip-off of \u2018Got Love If You Want It\u2019, but \u2018Zoot Suit\u2019 was considered to be an original. However, it was not.<\/span><\/p>\n

It’s a bold rip-off of \u2018Misery\u2019, a number which the Detroit vocal-group THE DYNAMICS had released on the New York label BIGTOP in 1963. Both sides of the BIGTOP single were group compositions. The Dynamics single was also issued in the UK on London HLX 9809 in 1963. This made the move of Meadon even bolder.<\/span><\/p>\n

>>THE WHO vs THE DYNAMICS – music<\/span><\/a><\/p>\n

The Echo Sounds, Kilmarnock, Scotland<\/span><\/strong><\/p>\n

Robert Tannock writes: „It’s nice to know that someone remembers us. You were right we only recorded two singles, as after this we came home although we still had a recording contract. This was due to the fact that I was ill and needed a rest. About three years ago we were on Sky tv show called „Beat Beat Beat“, which was recorded in Gemany around 1965 backing an American singer called Gene Williams. A friend saw it and taped one of the songs: Under The Boardwalk. We also did another tv show in1966 on ARD 1. Programm, but I cannot remember the name of the programme. We were miming to our record <\/em>Too Late Now. We toured Germany for about 36 months in total, and played in such places as Frankfurt K52, the Weindorf club, also Mainz, Cafe Dehos. Hannover, Darmstadt, Star-Club in Karlsruhe and Duisburg being some of the cities. We met Rolf Wittman in Waldorf, if I remember correctly, and played with The Searchers there… or was it Beibesheim? The name of the club maybe was Waldorf. When we came back to Scotland, the band split up. I went on to play in new bands for a further 25 years. Is it possible you can trace the recordings of these tv shows as I would love to get a copy of them, I do not mind paying for these. Perhaps this is impossible after all those years.“<\/em><\/p>\n

\"\"<\/a><\/p>\n

The VIPs-Stadthalle Bremen (vlnr Greg Ridley, Frank Kenyon, Mike Harrison)<\/p>\n

\"\"
The Rolling Stones Zirkus Krone 1966<\/figcaption><\/figure>\n
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Mick Jagger, Zirkus Krone, 1965<\/figcaption><\/figure>\n

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The Rolling Stones<\/figcaption><\/figure>\n

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\"\"<\/a>
The Rolling Stones, Waldb\u00fchne Berlin, 15.9.65, fotografiert von Heinz O. Jurisch<\/figcaption><\/figure>\n
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The Small Faces, London, Vestlandhalle, Recklinghausen<\/figcaption><\/figure>\n\n\n\n\n
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The Smoke, York&London, Mal Luker, Mick Rowley, Zeke Lund, Geoff Gill, in Peters Gastst\u00e4tten, Esens, 1967<\/figcaption><\/figure><\/td>\n
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The Smoke, York&London, Mick Rowley, Zeke Lund, in Peters Gastst\u00e4tten, Esens, 1967<\/figcaption><\/figure><\/td>\n<\/tr>\n
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The Smoke, York&London, Mick Rowley, Zeke Lund, in Peters Gastst\u00e4tten, Esens, 1967<\/figcaption><\/figure><\/td>\n
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The Smoke, York&London, Mick Rowley, Zeke Lund, in Peters Gastst\u00e4tten, Esens, 1967<\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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The Smoke, York&London, Mick Rowley, Zeke Lund, in Peters Gastst\u00e4tten, Esens, 1967<\/figcaption><\/figure><\/td>\n
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The Smoke, York&London, Geoff Gill und Fan, in Peters Gastst\u00e4tten, Esens, 1967<\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\"\"<\/a>
The Smoke, York&London, Mal Luker, Mick Rowley, Zeke Lund, Geoff Gill, in Peters Gastst\u00e4tten, Esens, 1967<\/figcaption><\/figure>\n\n\n\n\n
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The Smoke, London+York, Esens, Peters Gastst\u00e4tten, 1967<\/figcaption><\/figure><\/td>\n
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The Smoke, London+York, Geoff Gill signiert ein paar \u00fcberdimensionierte Autogrammostkarten, unten liegt D\u00f6rtes Strickzeug, Esens, Peters Gastst\u00e4tten, 1967<\/figcaption><\/figure><\/td>\n<\/tr>\n
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8 The Smoke, London+York, Mick Rowley with a very young fan, Esens, Peters Gastst\u00e4tten, 1967<\/figcaption><\/figure><\/td>\n
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The Smoke, London+York, Esens, Peters Gastst\u00e4tten, 1967<\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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The Smoke, London+York,Zeke Lund macht sich fein, Esens, Peters Gastst\u00e4tten, 1967<\/figcaption><\/figure>\n
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The Sonics, London, in der Kasseler Staatsoper<\/figcaption><\/figure>\n

THE SONICS spielen Alan Ginsbergs „Das Geheul“ („Howl“) 1971<\/span><\/a><\/p>\n

THE SONICS spielen zwei Garagen-Kracher von 1966 und ein progressives St\u00fcck von 1971<\/span><\/p>\n

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The Sonics, London, in der Kasseler Staatsoper<\/figcaption><\/figure>\n

\"\"<\/a>
The Liverbirds, Liverpool, Pam mit offenen Haaren, Garderobe Weser-Ems-Halle, Oldenburg, 1965\u00a0\u00a0\u00a0\u00a0 Siehe auch 3<\/a><\/sup><\/figcaption><\/figure>Mitte der 90er Jahre hatte ich eine Liverbirds-Story f\u00fcr hartbeat! geplant, daf\u00fcr schrieb ich Mary Dostal (= Mary McGlory) an, um auch Originalton in die Geschichte dieser Liverpooler M\u00e4dels zu bekommen. Mary antwortete mir mit einem dreiseitigen Brief. F\u00fcr das Buch Shakin‘ All Over<\/em><\/strong><\/span> habe ich sie noch einmal in Hamburg besucht und ein langes Interview mit ihr und ihrem Mann Frank Dostal gef\u00fchrt. Dieser fr\u00fchere Brief ist trotzdem sehr interessant. <\/span><\/p>\n

>>Mary McGlory’s letter1<\/a><\/p>\n

>>Mary McGlory’s letter2<\/a><\/p>\n

>>Mary McGlory’s letter3<\/a><\/p>\n

\"\"
The Liverbirds, Liverpool, Pamela Birch mit Fans, Weser-Ems-Halle, Oldenburg, 1965<\/figcaption><\/figure>\n

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The Liverbirds, Liverpool, in Bielefeld – Sylvie noch mit Hochfrisur<\/figcaption><\/figure>\n

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>><\/strong>The Liverbirds live im Beat-Club<\/a><\/p>\n

\"\"<\/a>
The Liverbirds, Liverpool, in der Weser-Ems-Halle, Pam mit offenem Haar, Oldenburg, 1965<\/figcaption><\/figure>\n
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The Liverbirds, 1968, in Japan, Mary McGlory, Pamela Birch, Renate ‚Dixie‘ Wassermeyer, Christiane ‚Chris‘ Schulz<\/figcaption><\/figure>\n
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The Liverbirds, 1968, Christiane Schulz, ex-The Lightnings, Porz, und Renate ‚Dixie‘ Wassermeier, ex-The Rag Dolls, Duisburg<\/figcaption><\/figure>\n
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The Liverbirds, 1968, in Japan<\/figcaption><\/figure>\n
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The Liverbirds, Liverpool, wieder in der Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n
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The Liverbirds, Liverpool, Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n
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he Liverbirds, Liverpool, Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n
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The Liverbirds, Liverpool,mit Autogrammen, Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n
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The Liverbirds, Liverpool, wieder in der Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n

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The Liverbirds, Liverpool, Garderobe Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n

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The Liverbirds, Liverpool, in Peter’s Gastst\u00e4tten, Esens, 1966<\/figcaption><\/figure><\/td>\n
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The Liverbirds, Liverpool, mit Wilfried Priemel und Mike Granowski von den Black Shadows in Peter’s Gastst\u00e4tten, Esens, 1966<\/figcaption><\/figure><\/td>\n<\/tr>\n
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The Liverbirds, Liverpool, in Peter’s Gastst\u00e4tten, Esens, 1966<\/figcaption><\/figure><\/td>\n
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 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"
The Liverbirds, Liverpool, Garderobe Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n
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The Liverbirds, Liverpool, Garderobe Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n
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The Liverbirds, Liverpool, Garderobe Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n
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The Liverbirds, Liverpool, Garderobe Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n

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The Liverbirds, Liverpool, Garderobe Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n
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The Liverbirds, Liverpool, Umkleide Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n
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The Liverbirds, Liverpool, Umkleide, im Spiegel Valerie Gell, Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n
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The Liverbirds, Liverpool, Sylvia Saunders. Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n

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The Liverbirds, Liverpool, Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n

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\"\"<\/a>
The Liverbirds, Liverpool, Pamela Birch, Weser-Ems-Halle, Oldenbrg, 1966<\/figcaption><\/figure>\n
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The Liverbirds, Liverpool, Pamela Birch, Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n

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The Liverbirds, Liverpool, Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n

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The Liverbirds, Liverpool, Sylvia Saunders. Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n

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The Liverbirds, Liverpool, Sylvia Saunders, Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n
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The Liverbirds, Liverpool, Sylvia Saunders, Weser-Ems-Halle, Oldenburg, 1966<\/figcaption><\/figure>\n

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The Liverbirds, Liverpool, Fan, Mary McGlory, Pamela Birch, Valerie Gell, in Wilhelmshaven, 1965<\/figcaption><\/figure><\/td>\n
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The Liverbirds, Liverpool, Mary McGlory, in Wilhelmshaven, 1965<\/figcaption><\/figure><\/td>\n<\/tr>\n
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The Liverbirds, Liverpool, Mary McGlory, Sylvia Saunders, in Wilhelmshaven, 1965<\/figcaption><\/figure><\/td>\n
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The Liverbirds, Liverpool, Mary McGlory, Sylvia Saunders, Valerie Gell, Pamela Birch, in Wilhelmshaven, 1965<\/figcaption><\/figure><\/td>\n<\/tr>\n
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The Liverbirds, Liverpool, Mary McGlory, in Wilhelmshaven, 1965<\/figcaption><\/figure><\/td>\n
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The Liverbirds, Liverpool, Silvia Saunders, Valerie Gell, Pamela Birch, in Wilhelmshaven, 1965<\/figcaption><\/figure><\/td>\n<\/tr>\n
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The Liverbirds, Liverpool, Sylvia Saunders, Pamela Birch, Mary McGlory, Valerie Gell, in Wilhelmshaven, 1965<\/figcaption><\/figure><\/td>\n
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The Liverbirds, Liverpool, Mary McGlory, shows the people how high you can get, in Wilhelmshaven, 1965<\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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The London Beats, Handzettel 1964<\/figcaption><\/figure>\n
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Peppino Di Capri, aus Capri, Italien<\/figcaption><\/figure>\n
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Johnny Hallyday<\/figcaption><\/figure>\n

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John O’Hara & His Playboys, Glasgow,in Oldenburg, 1965<\/figcaption><\/figure>\n
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John O’Hara & His Playboys, Glasgow,in Oldenburg, 1965<\/figcaption><\/figure>\n
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John O’Hara & His Playboys, Glasgow, in Oldenburg, 1965<\/figcaption><\/figure>\n
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John O’Hara & His Playboys, Glasgow, in Oldenburg, 1965<\/figcaption><\/figure>\n
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John O’Hara & His Playboys, Glasgow, in Oldenburg, 1965<\/figcaption><\/figure>\n
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John O’Hara & His Playboys, Glasgow, in Oldenburg, 1965<\/figcaption><\/figure>\n
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John O’Hara & His Playboys, Glasgow, in Oldenburg, 1965<\/figcaption><\/figure>\n
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John O’Hara & His Playboys, Glasgow, in Oldenburg, 1965<\/figcaption><\/figure>\n

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\"\"<\/a>
Tony Sheridan & The Black Stars, Weser-Ems-Halle, 1965<\/figcaption><\/figure>\n
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Penny Wonder 1972<\/figcaption><\/figure>\n
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Screaming Lord Sutch, London, macht sich Notizen, was alles schief lief, Weser-Ems-Halle, 1965<\/figcaption><\/figure>\n
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Linda Laine & The Sinners, UK, Weser-Ems-Halle, Oldenburg, 1965<\/figcaption><\/figure>\n
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Linda Laine & The Sinners, UK, Weser-Ems-Halle, Oldenburg, 1965<\/figcaption><\/figure>\n
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Linda Laine & The Sinners, UK, Weser-Ems-Halle, Oldenburg, 1965<\/figcaption><\/figure>\n
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Linda Laine, UK, Weser-Ems-Halle, Oldenburg, 1965<\/figcaption><\/figure>\n
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Linda Laine, UK, Weser-Ems-Halle, Oldenburg, 1965<\/figcaption><\/figure>\n

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The Twighlights, London, 1965, Cliff Adams who later changed his name to Clifford Davis and managed Fleetwood Mac<\/figcaption><\/figure>\n
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The Twighlights, 1965<\/figcaption><\/figure>\n

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\"\"<\/a>
The Twilights, London, 1964<\/figcaption><\/figure>\n
\"\"<\/a>
The Twilights, London, 1964<\/figcaption><\/figure>\n\n\n\n
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  1. weitere Bilder von Johnny & The Hurricanes unter „Clubs, Gastst\u00e4tten…“, „Postcards International“ und „I wish it was 1966 again“. ↩<\/a><\/span><\/li>\n
  2. mehr Casey Jones Fotos unter „Clubs, Gastst\u00e4tten…“ – Rheinischer Hof ↩<\/a><\/span><\/li>\n
  3. mehr Liverbirds-Fotos unter „Clubs, Gastst\u00e4tten…“ – Saalbau Buschmann ↩<\/a><\/span><\/li>\n<\/ol>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    I consider THE MONKS to be a German band, so see there… K-O).                             Mehr Bilder vonContinue readingInternational (at the top in almost alphabetical order)<\/span><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-192","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.shakin-all-over.de\/index.php?rest_route=\/wp\/v2\/pages\/192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.shakin-all-over.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.shakin-all-over.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.shakin-all-over.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.shakin-all-over.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=192"}],"version-history":[{"count":0,"href":"https:\/\/www.shakin-all-over.de\/index.php?rest_route=\/wp\/v2\/pages\/192\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.shakin-all-over.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}